{"id":10802,"date":"2023-01-26T09:31:25","date_gmt":"2023-01-26T08:31:25","guid":{"rendered":"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM.jpg"},"modified":"2023-01-26T09:31:45","modified_gmt":"2023-01-26T08:31:45","slug":"nicola-lo-calzo_kam-2","status":"inherit","type":"attachment","link":"https:\/\/www.ensapc.fr\/en\/nicola-lo-calzo_kam-2\/","title":{"rendered":"Nicola Lo Calzo_KAM"},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-10802","attachment","type-attachment","status-inherit","hentry"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM.jpg'><img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Nicola Lo Calzo, \u00abPhotographier les m\u00e9moires de l\u2019esclavage. Pour une \u00e9thique-esth\u00e9tique de l\u2019\u00e9mancipation\u00bb.\" srcset=\"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-300x300.jpg 300w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-1024x1024.jpg 1024w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-150x150.jpg 150w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-768x768.jpg 768w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-1536x1536.jpg 1536w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM.jpg 2048w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-427x427.jpg 427w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2023\/01\/Nicola-Lo-Calzo_KAM-125x125.jpg 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Gerardo De Souza and the Death on Ouidah\u2019s Beach ( closed to the \u00abGate of No Return\u00bb ) after the Bourian ceremony.In Bourian, Death embodies also the spirit of the slaves\u2019 master, who is the founder of their community, Don FranciscoFelix de Souza, known as the Chacha I. This double figure of the \u201cDeath-Master\u201d is the protector of the hierarchywithin the community, while becoming the oppressor of those who would violate it. Buryan perpetuates its originalsignification in confirming and consolidating the hierarchy and casts among the members of the community: the DeSouza of servile ascent on one hand, and the De Souza of direct lineage on the other.Oiudah Beach, Benin<\/p>\n"},"alt_text":"Nicola Lo Calzo, \u00abPhotographier les m\u00e9moires de l\u2019esclavage. 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