{"id":13583,"date":"2025-06-19T09:56:55","date_gmt":"2025-06-19T07:56:55","guid":{"rendered":"https:\/\/www.ensapc.fr\/?page_id=13583"},"modified":"2026-05-21T17:10:30","modified_gmt":"2026-05-21T15:10:30","slug":"2025-2","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/ygrec\/archives\/2025-2\/","title":{"rendered":"2025"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text css=””]<\/p>\n

\n
\n

FREE TO MOVE FROM CHAIR TO CHAIR<\/em><\/strong><\/p>\n

A group exhibition at Centre d\u2019art Ygrec-ENSAPC<\/p>\n

From September 20 to November 15<\/strong>
\nOpening on September 20 from 5-9pm<\/strong><\/p>\n

With :<\/strong>\u00a0Guillaume Maraud, Irma Name, David Posth-Kohler, Julie Sas and Angharad Williams<\/p>\n

Curated by :\u00a0Ana Braga, Clara Guislain and Guillaume Breton<\/p>\n<\/div>\n<\/div>\n

\n
\n

Free to move from chair to chair\u00a0is a group exhibition bringing together works around plural and unconventional approaches to education and pedagogy. Echoing contemporary art\u2019s \u201ceducational turn\u201d\u00a0[1]\u00a0(while stepping aside from its didactic rhetoric and utopian stances), the six selected artists, through oblique or fragmentary means, explore the role of education as an intimate experience, as an apparatus, a conditioning, or a socio-political stake with multiple ramifications. Education, marked by processes of transition and thresholding, extends well beyond physical and institutional boundaries. Far from the limits of the classroom, it is considered here as a space crossed by conflict and transformation, which involves the political sphere, subjectivity, the construction of self-image and collective memory.<\/p>\n

\u201cFree to move from chair to chair\u201d\u00a0[2]\u00a0is a quotation taken from a conversation between Robert Filliou and John Cage on the topic of education. In this talk, Cage describes a learning situation characterised by radical flexibility, both in its spatial arrangement (an empty room without assigned seats where one would be \u201cfree to move from chair to chair\u201d) and in its content (\u201cnothing is learned that was not already known or knowable before the advent of the learning situation\u201d).<\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_single_image image=”14151″ img_size=”Medium” css=”.vc_custom_1779373796814{padding-left: 70px !important;}”][vc_empty_space][vc_btn title=”Learn more” css=”.vc_custom_1779373978981{padding-left: 50px !important;}” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2025-2%2Ffree-to-move-from-chair-to-chair%2F”][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]<\/p>\n

NEGO FUGIDO, QUILOMBOLA MEMORIES<\/em><\/strong><\/p>\n

Monographic exhibition curated by Nicola Lo Calzo at the\u00a0Centre d’art Ygrec-ENSAPC<\/p>\n

From June 5 to July 12, 2025<\/strong>
\nOpening June 5, 2025 from 7 to 9 p.m.<\/strong><\/p>\n

Ashes and fire<\/p>\n

Nicola Lo Calzo’s exhibition,\u00a0Nego Fugido, Quilombola memories, offers a sensitive and committed immersion into a process of reaffirming freedom.<\/p>\n

Every year, in the Quilombola community\u00a0[1]\u00a0of Acupe, Brazil, the\u00a0Nego Fugido\u00a0takes place: a ritual performance that re-enacts the dehumanization of slavery and the struggle of enslaved subjects for emancipation. Like\u00a0tableaux vivants, this\u00a0mise en sc\u00e8ne\u00a0brings to life an embodied memory of oppression and resistance from the point of view of those who had been subjugated.<\/p>\n

Contrary to the dominant narratives, Nego Fugido constructs a sovereign counter-narrative, which is carried by those whose history has long been denied or erased. Through this practice, the community reappropriates its past, revisits it in the light of the present, and proposes a more complex reading of its colonial heritage, which is still alive in Brazil as it is elsewhere. The performance of Nego Fugido thus acts as an act of memorial mediation, at the crossroads of art, politics, spirituality and transmission. And collectively asks us: What voices shape our historical memory? Who decides which narratives form the basis of a nation?Through exhibiting this practice, the artist-researcher Nicola Lo Calzo reveals an often unspoken aspect of history: a memory that is not fixed, that is not written down in books, but which is expressed through bodies, gestures, songs and rituals. This series is part of the KAM project, which was initiated in 2010.\u00a0 This project explores Atlantic memories of slavery and the forms of resistance that emerged from them…[\/vc_column_text][vc_empty_space][vc_single_image image=”13499″ img_size=”Medium” alignment=”center” css=”.vc_custom_1779375103122{padding-left: 50px !important;}”][vc_empty_space][vc_btn title=”Learn more” css=”.vc_custom_1779375109074{padding-left: 50px !important;}” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2025-2%2Fnego-fugido-quilombola-memories%2F”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=””]LES AVANT-CHOSES PR\u00c9-HISTOIRE D’UN LIEU<\/em><\/strong><\/p>\n

Group Show<\/p>\n

From the 5th of February to 17th of May 2025
\nOpening 1rst February 2025, 5pm to 9pm<\/strong><\/p>\n

With : <\/strong>Lorena Almario Rojas, Dylan Altamiranda, Emma Bougaeff, Paul Caillard, Lou Dalifard, Emma Fleury-Cancouet, Kwama Frigaux, Elias Galindo Lopez, Louise Guegan, Myriam Houri, Lou-Pepita Iribarne-Carpentier, Soli Jeon, Yeongseo Jee, Shumeng Li, Ga\u00ebtane Martinot, Luciano Ortiz, Elea Roussel, Camille Simon Baudry, Greta Tessitore, Yu-Wen Wang.<\/p>\n

Curators : <\/strong>Alejandra Riera, Laurence Vidil, Samuel Garland et Nicolas Charbonnier.<\/p>\n

[this text hasn’t been translated yet]<\/p>\n

De l\u2019automne 2020 \u00e0 l\u2019hiver 2024, nous avons rencontr\u00e9 un lieu que nous avons nomm\u00e9, assez vite\u00a0: la parcelle\u00a0[1]<\/a><\/em>.\u00a0Se concentrer sur ce qui \u00e9tait peu observ\u00e9 \u2014une parcelle de terre d\u00e9laiss\u00e9e, peupl\u00e9e en arbres et v\u00e9g\u00e9taux qui poussaient inlassablement autour des grilles de deux terrains de tennis \u00e0 l\u2019acc\u00e8s libre, et m\u00eame sur les sols d\u2019un parking entrecoup\u00e9 par les longues all\u00e9es des tilleuls\u2014, a permis de cr\u00e9er un temps autre, <\/em>presque suspendu, r\u00eav\u00e9. Et d\u2019approcher en m\u00eame temps l\u2019existence et la r\u00e9alit\u00e9 propre de ce lieu-parcelle<\/em>, tout comme celle de son pass\u00e9 paysan, d\u2019une terre d\u2019un village rural enseveli sous une cit\u00e9 administrative. Nous avons ainsi arpent\u00e9 \u00e0 diff\u00e9rentes saisons de ces quatre ann\u00e9es, ses quelques 7000 m\u00b2 de terre o\u00f9 le coucher du soleil pouvait encore \u00eatre appr\u00e9ci\u00e9 depuis le parc adjacent et o\u00f9 les ombres d\u2019arbres \u2014des plus anciens au plus jeunes\u2014, procuraient leur fra\u00eecheur.<\/p>\n

\n
\n
[1]<\/a> La parcelle est actuellement en chantier, c\u2019est la terre destin\u00e9e \u00e0 accueillir le nouveau b\u00e2timent de l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Arts de Paris-Cergy, en 2026.<\/div>\n<\/div>\n

[\/vc_column_text][vc_single_image image=”13226″ img_size=”Medium” css=”.vc_custom_1750319803562{padding-left: 50px !important;}”][vc_empty_space][vc_btn title=”Learn more” css=”.vc_custom_1779373988756{padding-left: 25px !important;}” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2025-2%2Fles-avant-choses-pre-histoire-dun-lieu%2F”][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text css=””] FREE TO MOVE FROM CHAIR TO CHAIR A group exhibition at Centre d\u2019art Ygrec-ENSAPC From September 20 to November 15 Opening on September 20 from 5-9pm With :\u00a0Guillaume Maraud, Irma Name, David Posth-Kohler, Julie Sas and Angharad Williams Curated by :\u00a0Ana Braga, Clara Guislain and Guillaume Breton Free to move from chair… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5332,"menu_order":39,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13583","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/13583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=13583"}],"version-history":[{"count":14,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/13583\/revisions"}],"predecessor-version":[{"id":14934,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/13583\/revisions\/14934"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5332"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=13583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}