{"id":5596,"date":"2017-12-04T11:33:20","date_gmt":"2017-12-04T10:33:20","guid":{"rendered":"https:\/\/www.ensapc.fr\/en\/ygrec\/archives\/2017-2\/meris-angioletti"},"modified":"2020-05-18T17:09:15","modified_gmt":"2020-05-18T15:09:15","slug":"meris-angioletti","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/ygrec\/archives\/2017-2\/meris-angioletti\/","title":{"rendered":"Meris Angioletti, L\u2019Anneau et le Livre (un proc\u00e8s)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_single_image image=&#8221;2284&#8243; img_size=&#8221;large&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;top-to-bottom&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221;][vc_column][vc_column_text]<strong>Exhibition\u00a0<\/strong><\/p>\n<p><b>Meris Angioletti,\u00a0<\/b><b><i>L\u2019Anneau et le Livre (un proc\u00e8s)<\/i><\/b><\/p>\n<p><strong>\u00a0<\/strong>[\/vc_column_text][vc_separator color=&#8221;pink&#8221; style=&#8221;dashed&#8221; el_width=&#8221;90&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>October 12 to November 26, 2017<\/strong><\/p>\n<p><strong>Opening:\u00a0Thursday 12 October 6pm-9pm<\/strong><\/p>\n<p>Meris Angioletti\u2019s work arises from the need to reread concealed histories or to explore occult sciences. Her installations, which combine film, sound and plastic objects, bring together characters and narratives that give form and space to an unfinished history inviting the full esoteric dimension to the surface.<\/p>\n<p>For this new project, her researches have been led by the story of Giordano Bruno (1548-1600), the heretic philosopher burned alive in Rome following an eight year trial. Mastering the art of mnemotechnic, this predecessor of great thinkers such as Kepler or Spinoza, attracted the wrath of the ecclesiastical authorities due to his interest in magic and other esoteric practices considered blasphemous at the time.<\/p>\n<p>In the 19th century, British playwright Robert Browning (1812-1889) acquires in Florence (Italy) where he lives, a book compiling a series of letters related to the trial of Guido Franceschini who had been charged with the murder of his wife and parents-in- law. Passionate about the criminal nature of the case, he then decides to rewrite, in poems, the story from the point of view of each character involved, basing his work on the epistolary material of the original book.<\/p>\n<p>Continuing her research into psychological, philosophical and spiritual mechanisms of thinking, the artist started from these factual elements to construct an exhibition whose physical space would become the trace of a metaphysical trial. The symbolic meaning tied to the trial consequently taking its place in the origin of the works presented here, where the legal form, in its absurd and irrational components, skillfully flows alongside esoteric tradition. The space then becomes a metaphor for the legal arena in which the visitor is invited to wander, guess or even judge.<\/p>\n<p>Meris Angioletti was born in 1977 in Bergamo, Italy. She lives and works in Paris. \u2028Drawing on her research into the history of the arts\u00a0\u2014\u00a0from the early abstractions of the late 19th century to the forms of \u201cexpanded cinema\u201d of the 1970s\u00a0\u2014\u00a0as well as in cognitive sciences, psychology and esoterica, Angioletti\u2019s works question the mechanisms of perception, memory and psyche.<\/p>\n<p><strong>Curated by \u00c9meline Vincent<\/strong><br \/>\n<strong>With the support of\u00a0<span class=\"caps\">FNAGP<\/span><\/strong><br \/>\n<strong>And Galleria\u00a0<span class=\"caps\">OTTO<\/span>\u00a0<span class=\"caps\">ZOO<\/span>, Milan<\/strong><\/p>\n<a href=\"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2017\/09\/logoFNAGP.jpg\"><img decoding=\"async\" class=\" wp-image-2287 alignleft\" src=\"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2017\/09\/logoFNAGP-300x175.jpg\" sizes=\"(max-width: 137px) 100vw, 137px\" srcset=\"https:\/\/www.ensapc.fr\/wp-content\/uploads\/2017\/09\/logoFNAGP-300x175.jpg 300w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2017\/09\/logoFNAGP-768x449.jpg 768w, https:\/\/www.ensapc.fr\/wp-content\/uploads\/2017\/09\/logoFNAGP.jpg 827w\" alt=\"logoFNAGP\" width=\"137\" height=\"80\" \/><\/a>\n<\/div>\n<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_90 vc_sep_dashed vc_sep_pos_align_center vc_separator_no_text vc_sep_color_pink\"><\/div>\n<\/div>\n<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_90 vc_sep_dashed vc_sep_pos_align_center vc_separator_no_text vc_sep_color_pink\"><\/div>\n<p>[\/vc_column_text][vc_separator color=&#8221;pink&#8221; style=&#8221;dashed&#8221; el_width=&#8221;90&#8243;][vc_column_text][\/vc_column_text][vc_separator color=&#8221;pink&#8221; style=&#8221;dashed&#8221; el_width=&#8221;90&#8243;][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;2284&#8243; img_size=&#8221;large&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;top-to-bottom&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221;][vc_column][vc_column_text]Exhibition\u00a0 Meris Angioletti,\u00a0L\u2019Anneau et le Livre (un proc\u00e8s) \u00a0[\/vc_column_text][vc_separator color=&#8221;pink&#8221; style=&#8221;dashed&#8221; el_width=&#8221;90&#8243;][vc_column_text] October 12 to November 26, 2017 Opening:\u00a0Thursday 12 October 6pm-9pm Meris Angioletti\u2019s work arises from the need to reread concealed histories or to explore occult sciences. Her installations, which combine film, sound and plastic objects, bring together&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.ensapc.fr\/en\/ygrec\/archives\/2017-2\/meris-angioletti\/\" title=\"Read Meris Angioletti, L\u2019Anneau et le Livre (un proc\u00e8s)\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5373,"menu_order":426,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5596","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=5596"}],"version-history":[{"count":2,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5596\/revisions"}],"predecessor-version":[{"id":5599,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5596\/revisions\/5599"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5373"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=5596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}