{"id":5765,"date":"2020-07-13T12:49:24","date_gmt":"2020-07-13T10:49:24","guid":{"rendered":"https:\/\/www.ensapc.fr\/fr\/?page_id=5765"},"modified":"2021-01-21T12:37:07","modified_gmt":"2021-01-21T11:37:07","slug":"2020-2","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/ygrec\/archives\/2020-2\/","title":{"rendered":"2020"},"content":{"rendered":"

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TO THOMAS<\/strong><\/em><\/p>\n

From October 24th to November 21st<\/p>\n

With : Jimmy Beauquesne, Bady Dalloul, Jesse Darling, Marijke De Roover, Ilya Fedotov-Fedorov, Olivia Hernai\u0308z, Candice Lin, Adrian Mabileau Ebrahimi Tajadod, Simon Martin, Dala Nasser, Jose\u0300fa Ntjam, Bassem Saad, Hanna Zubkova<\/p>\n

Curators : Lucas Morin & Sasha Pevak<\/p>\n

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Taking an ordinary love story as a starting point, to Thomas<\/em> unwraps multiple narratives of attachment, dependence, anger, and resistance. The exhibition is imagined as a message to a lover of the past, a certain Thomas, an autobiographical and fictional character who could be known by other names. Like the chapters of a strange romance novel, the works in the exhibition follow conversations between curators and artists in which each of them invests and transforms their own Thomas. The artists embrace the emotions and the political issues that condition and affect them. Each artist has worked with \u201ctheir own Thomas\u201d, making him emerge from their personal story in echo with the curators\u2019 stories and emotions.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Between euphoria in love, mourning the loss, helplessness, anger, and rage, to Thomas<\/em> is an ensemble of deeply intimate gestures. Often put aside \u2014 considered as too personal or too singular, too strong or too messy \u2014 yet emotions allow artists and curators to make their work shareable and accessible while exploring the complex visual and political regimes that determine them.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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[\/vc_column_text][vc_btn title=”Read more” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2020-2%2Fto-thomas%2F||target:%20_blank|”][vc_single_image image=”7363″ img_size=”medium” add_caption=”yes” css=”.vc_custom_1611228528569{padding-left: 20px !important;}”][vc_column_text]<\/p>\n

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YTO BARRADA<\/strong><\/p>\n

HOLES IN THE MOON<\/em><\/strong><\/p>\n

From August 26 to October 21, 2020 on the fa\u00e7ade of the ENSAPC<\/p>\n

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Invited by the Ecole nationale supe\u0301rieure d\u2019art de Paris Cergy (ENSAPC) for the event \u00ab Un e\u0301te\u0301 culturel en I\u0302le-de-France \u00bb, the Franco-Moroccan artist Yto Barrada has installed an Arabocentric calendar of the lunar cycle on the facades of the ENSAPC. Each of the twenty-five phases of the moon visually highlights one of the craters named for Arab or Islamic scientists. The Moon\u2019s surface is riddled with holes; these craters, most of them the imprints of long- forgotten asteroids. Also long-forgotten are the names of many of those who first discovered and studied them \u2014along with empty spaces in the history of lunar conquest; and the telling holes in the legislation which relates to its occupation and exploitation. As often in her work, Yto Barrada develops here an interest in history and storytelling, and special forms of knowledge which constitute both.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_btn title=”Read more” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2020-2%2Fyto-barrada-holes-in-the-moon%2F||target:%20_blank|”][vc_single_image image=”6220″ img_size=”medium” add_caption=”yes” css=”.vc_custom_1611228550264{padding-left: 20px !important;}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

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TIPHAINE CALMETTES<\/strong><\/p>\n

IL Y AVAIT DES ODEURS QUI MARCHAIENT<\/em>\u00a0<\/strong><\/p>\n

Exhibition from 10 july – 8 august 2020<\/p>\n

During four weeks, the artist will transform the art centre into a space for research, experimentation and production (including craft, culinary and vegetal) in which visitors will be able to discover some ongoing artworks.<\/p>\n

Tiphaine Calmettes\u2019 project will allow the space to be metamorphosed and become a place where Kombucha can be produced (living fabric, symbiose of bacteria and yeast which spreads and expands) as well as a space for culinary experiment where the public will see, smell and taste edible objects. As a result, the sculptures will follow a weekly evolution within an exhibition that constantly moves and grows in a similar way as living organisms.<\/p>\n

In between an exhibition and a residency, this project is also a platform for encounters and interactions between the artist, a selection of guests (chef, philosopher, curator) and the audience, invited on the occasion of three events: thursday 23 july, thursday 30 july and saturday 8 august. Through artistic, culinary, social, philosophical and therefore political reflections, the artist questions our uses and habits whether they are linked to the way we visit an exhibition, eat bread, sit at a table or, more broadly, the way we consider the living.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_btn title=”Learn more ” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2020-2%2Ftiphaine-calmettes-il-y-avait-des-odeurs-qui-marchaient||target:%20_blank|”][vc_single_image image=”5911″ img_size=”medium” add_caption=”yes” alignment=”center”][vc_column_text]UNEXPECTED ITEMS IN THE BAGGING AREA<\/strong><\/em><\/p>\n

From June 15, 2020 on Instagram<\/p>\n

Unexpected items in the bagging area\u00a0is a project developed between \u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy (ENSAPC) and\u00a0Ircam<\/a>\u00a0(co-production Ircam \/ Philippe Langlois) around a research workshop directed\u00a0by artists and tutors Yann Beauvais and J\u00e9r\u00f4me Combier together with Gr\u00e9goire Lorieux and S\u00e9bastien Naves (Ircam) on the theme of \u201cmoving images and sound experiences\u201d.<\/p>\n

Taking the notions of projected image and experimental cinema as a starting point, a group of students from ENSAPC has developed reflections, lines of research, visual and musical pieces all linked with different mediums such as poetry, improvised music, musical programming or installation.<\/p>\n

Originally intended to be exhibited both at Ircam and Ygrec-ENSAPC (ENSAPC\u2019s art centre), these new creations, will be available on social networks (Facebook, Instagram, Twitter)\u00a0from June 15, 2020. Each day, some extracts, adaptations, trailers and original artworks made by seven students from ENSAPC (Dylan Altamiranda, Yannis Briki & Sarah-Ana\u00efs Desbenoit, Lina Filipovich, Aur\u00e9lie Massa, Lo\u00efck Mfoundou, Amosph\u00e8re) will be revealed. All produced collaboratively with Ircam.<\/p>\n

Facing isolation, inaccessibility to certain artistic and technological tools and uncertainty, it seemed important to both teachers and students to show that \u201cbeyond the constraints of the present time, creative and collective commitments are means through which\u00a0the living affirms itself. \u201c(Yann Beauvais)<\/p>\n

Follow on Instagram:<\/p>\n

@ensapcygrec
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GA\u00cbLLE CHOISNE,\u00a0SCHLAG LOVE\u00a0\u00a0<\/em><\/strong><\/p>\n

BENJAMIN SWAIM,\u00a0LAME DE FOND<\/em><\/strong><\/p>\n

Exhibition from 6 \u2013 28 march 2020<\/p>\n

After existing for about 20 years in Paris, the Art Centre Ygrec ENSAPC reopens with a new venue in Aubervilliers with a focus on contemporary art emerging practices.\u00a0For its first exhibition, Ygrec has invited two artists to invest the windows and the indoor space of its new location.<\/p>\n<\/div>\n<\/div>\n

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Artist\u00a0Ga\u00eblle Choisne\u00a0presents\u00a0Schlag love,<\/strong><\/em>\u00a0an installation displayed in the Art Centre\u2019s windows bringing together a selection of existing artworks with new pieces made especially for this show. Her work ranges from sculpture to mix media installations where photographs, videos and literature references come together. By reproducing the chaos and the complexity of the contemporary world, the artist is raising awareness on the overexploitation of resources, the heritage of colonial history, and equally mixes sciences, esoteric creole traditions, myths and popular culture.<\/p>\n

Artist\u00a0Benjamin Swaim\u00a0invested Ygrec\u2019s indoor space with a series of medium-sized & large-sized paintings, produced over the last three years and gathered under the title\u00a0Lame de fond.\u00a0<\/em>Figurative, his work is composed of large fields of bright and contrasted colors which distorts the perception of the landscapes he represents.<\/p>\n

Even though everything seems to oppose the two artists, both artistic proposals offered by Ga\u00eblle Choisne and Benjamin Swaim share a similar concern towards the complexity and power of the forces and desires that animate the world. They express, through assembling and painting, common interrogations: which knowledge, which practice, which experience, which story could help us react and think about the realities that define us?<\/p>\n

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[\/vc_column_text][vc_btn title=”Learn more” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fen%2Fygrec%2Farchives%2F2020-2%2Fgaelle-choisne-schlag-love-benjamin-swaim-lame-de-fond||target:%20_blank|”][vc_single_image image=”4893″ img_size=”medium” add_caption=”yes” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text] TO THOMAS From October 24th to November 21st With : Jimmy Beauquesne, Bady Dalloul, Jesse Darling, Marijke De Roover, Ilya Fedotov-Fedorov, Olivia Hernai\u0308z, Candice Lin, Adrian Mabileau Ebrahimi Tajadod, Simon Martin, Dala Nasser, Jose\u0300fa Ntjam, Bassem Saad, Hanna Zubkova Curators : Lucas Morin & Sasha Pevak Taking an ordinary love story as… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5332,"menu_order":392,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5765","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=5765"}],"version-history":[{"count":5,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5765\/revisions"}],"predecessor-version":[{"id":7690,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5765\/revisions\/7690"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/5332"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=5765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}