{"id":9143,"date":"2021-06-01T09:29:28","date_gmt":"2021-06-01T07:29:28","guid":{"rendered":"https:\/\/www.ensapc.fr\/2021-2\/"},"modified":"2022-10-27T15:54:47","modified_gmt":"2022-10-27T13:54:47","slug":"2021-2","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/research\/publications\/2021-2\/","title":{"rendered":"2021"},"content":{"rendered":"

[vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]CHANGING HANDS: OBJECTS ON THE MOVE<\/strong><\/p>\n

SYMPOSIUM ORGANIZED BY AKRAM ZAATARI<\/strong><\/p>\n


\nDecember 8, 2021 \u2013 Cin\u00e9ma 1 \u2013 Centre Pompidou<\/strong><\/p>\n

In the context of \u00ab Vid\u00e9o et apr\u00e8s \u00bb, Service Nouveaux M\u00e9dias \u2013 MNAM\/Centre Pompidou and of the doctoral program of the \u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy Graduate School Humanities, Creation and Heritage<\/p>\n

\n

With: Jean-Christophe Bailly, Patricia Falgui\u00e8res, Avi Mograbi, B\u00e9n\u00e9dicte Savoy, Amie Siegel, Rayyane Tabet, Akram Zaatari.<\/p>\n

Objects change function and consequently change value and status over time. They are sometimes sent to storage, sold or bought, buried or trafficked and, eventually, get extracted from larger constellations or a living fabric. Objects thus change hands, which adds to their biographies. They are displaced, gifted, studied copied and reproduced or exhibited. This symposium looks at the mechanisms that accompany these shifts in property and value through artist\u2019s works. From Nefertiti\u2019s bust as plotted by Jean-Christophe Bailly, to the occupation of Palestinian Territories as explained by Avi Mograbi, lies a trip back and forth in time and geography, across media. We talk about afterlives of objects, about who is the museum, when is perpetuity, and what do we find moving in all of these shift?<\/p>\n<\/div>\n

[\/vc_column_text][vc_btn title=”Download the symposium full program” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fwp-content%2Fuploads%2F2021%2F12%2FProgramme_JE8DEC_0712-ENG.pdf|target:_blank”][vc_empty_space][vc_column_text]TIME CAPSULE 2045 – <\/em><\/strong>UN PROJET INITI\u00c9 PAR ART BY TRANSLATION ET LAB\u2019BEL<\/strong><\/p>\n

1ere \u00e9tape de l\u2019exposition itin\u00e9rante aux Beaux-arts de Paris dans le cadre du Th\u00e9\u00e2tre des expositions Acte 2, du 7 au 23 mai 2021.<\/strong><\/p>\n

Les capsules de temps sont des objets ou des \u0153uvres destin\u00e9s \u00e0 \u00eatre d\u00e9couverts apr\u00e8s un d\u00e9lai plus ou moins long. Dans le contexte \u00e9cologique et politique anxiog\u00e8ne que nous connaissons aujourd\u2019hui, cette exposition propose d\u2019interroger la notion de capsule de temps et d\u2019adresser de nouvelles \u0153uvres au futur. Dix-sept artistes, dont les travaux mettent souvent en jeu des trajectoires et temporalit\u00e9s complexes, sont invit\u00e9s \u00e0 placer une \u0153uvre connue d\u2019eux seuls dans une bo\u00eete d\u2019archives destin\u00e9e \u00e0 \u00eatre ouverte dans 25 ans.<\/p>\n

Conjointement \u00e0 la cr\u00e9ation de ces capsules de temps, des artistes, musiciens, \u00e9crivains, th\u00e9oriciens de diff\u00e9rentes disciplines et \u00e9tudiants des \u00e9coles d’art de Paris, Angers et Cergy ont \u00e9t\u00e9 invit\u00e9s \u00e0 cr\u00e9er des pi\u00e8ces sonores imaginant 2045. Pour tenter de s\u2019\u00e9manciper du sentiment d\u2019impuissance face \u00e0 la situation actuelle, et contre la vision d\u2019un futur pr\u00e9dictible r\u00e9duit \u00e0 des calculs de probabilit\u00e9s, ce deuxi\u00e8me volet du projet d\u00e9fend l\u2019importance de l\u2019anticipation et de la fiction sp\u00e9culative pour r\u00e9v\u00e9ler les multiples possibles du pr\u00e9sent et nous inviter \u00e0 l\u2019action. Ces \u0153uvres sonores sont conserv\u00e9es et rendues accessibles au public \u00e0 travers plusieurs types de supports d\u2019enregistrement (vinyle, K7, CD, Mp3, etc.) qui seront ainsi soumis aux effets du temps.<\/p>\n

Cette exposition aux Beaux-Arts de Paris constitue le premier rendez-vous d\u2019un projet se d\u00e9veloppant sur 25 ans. Chaque exposition rassemblera les 17 Time capsules scell\u00e9es dans des bo\u00eetes d\u2019archives et les diff\u00e9rents supports analogiques et num\u00e9riques permettant l\u2019\u00e9coute des sons. \u00c0 chaque \u00e9tape seront d\u00e9velopp\u00e9es de nouvelles cr\u00e9ations sonores et performances. En 2045, les Time Capsules seront d\u00e9voil\u00e9es au public.[\/vc_column_text][vc_btn title=”Communiqu\u00e9 de presse” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fwp-content%2Fuploads%2F2021%2F05%2FTime-Capsule-2045-ComPresse-20Avril2021-1.pdf||target:%20_blank|”][vc_btn title=”Journal d’exposition” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fwp-content%2Fuploads%2F2021%2F05%2FJournal-Time-Capsules-Booklet-21.pdf|||”][vc_btn title=”Time Capsule 2045 dans Lib\u00e9ration” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fwp-content%2Fuploads%2F2021%2F05%2FLibe%CC%81-Time-Capsules-scaled.jpg||target:%20_blank|”][vc_empty_space][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner][\/vc_column_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]CREATOR DOCTUS<\/strong><\/p>\n

Since 2018, ENSAPC has been a partner in the European Creator Doctus (CrD) program. On the initiative of the Gerrit Rietveld Academie and the European organization EQ-Arts\u2014and involving, in addition to ENSAPC, the Glasgow School of Art, the Athens School of Fine Arts, the Vilnius Academy of Arts, the Royal Danish Academy of Fine Arts, and the Merz Akademie\u2014CrD is exploring at the European level the question of \u201cthe doctorate through artistic practice.\u201d With funding from the Erasmus+ program and the European Union, the program is generating and gathering, over the period 2018\u20132021, knowledge and recommendations based on the expertise and experience of the partner institutions. Conferences (Athens, May 2019; Paris, November 2019; Amsterdam, 2021) and seminars (Stuttgart, February 2020; Nida, August 2020) are designed to share and exchange existing practices and methods, and to think through the creation of a European frame of reference for programs conferring the practice-based doctorate in art.[\/vc_column_text][vc_column_text]Final conference and exhibition at the Rietveld Academie, Amsterdam, from 29 October 2021<\/strong><\/p>\n

At the end of October, the Creator Doctus project will conclude with a conference organized by the Rietveld Academie. The conference will revolve around interventions by artists and researchers and discussion time, and will be partly dedicated to the presentation of the Cr-D book synthesizing the reflections carried out since 2018 on the doctorate through artistic practice on a European scale.<\/p>\n

In connection to the conference, an\u00a0exhibition\u00a0will open on Friday 29 October at\u00a0Nieuw Dakota. Curated by\u00a0Astrid Korporaal, the exhibition will present outputs of practice-based research projects in various stages of development. The participating artists are: Arnas Anskaitis, Joan Ayrton, Theodoros Giannakis, Femke Herregraven, Saoirse Higgins, Jane Jin Kaisen and Caroline Meyer-J\u00fcrshof. The exhibition will interrogate existing artistic research methodologies\u00a0and give a perspective towards new and innovative approaches.[\/vc_column_text][vc_btn title=”Download the book” link=”url:https%3A%2F%2Flaps-rietveld.nl%2Fwp-content%2Fuploads%2F2021%2F11%2FCrD-constellation-online.pdf|target:_blank”][vc_btn title=”Download the framework” link=”url:https%3A%2F%2Fcreatordoctus.eu%2Fwp-content%2Fuploads%2F2021%2F10%2FCrD-Constellation-final-insert-DEF.pdf|target:_blank”][vc_column_text]Training in Nida, August 25\u201328, 2021<\/strong><\/p>\n

This training program organized by the Vilnius Academy of Art takes place at the Nida Art Colony (http:\/\/nidacolony.lt\/<\/a>). Continuing the process of reflection begun in Stuttgart, the session encourages exchanges between and among doctoral candidates, artists, and scholars, focusing on methods and funding for research through artistic practice.[\/vc_column_text][vc_column_text]Training Glasgow, February 15-17, 2021<\/strong><\/p>\n

The training series continues in Glasgow (organisation: Glasgow School of Arts). Following on the reflection process initiated in Stuttgart, this training aims to continue the exchanges between doctoral students, artists and researchers, emphasising the issues of methodologies and funding for research through artistic practice.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]JOURN\u00c9E D’\u00c9TUDES – LES REPR\u00c9SENTATIONS POLITIQUES DE L’ART NUM\u00c9RIQUE
\n<\/strong>15 AVRIL 2021
\n<\/strong>
\n<\/strong>Organis\u00e9e par Rapha\u00ebl Faon, artiste et doctorant \u00e0 CY\/ENSAPC<\/p>\n

Cette journ\u00e9e d\u2019\u00e9tude propose de mettre \u00e0 distance \u00e0 la fois le d\u00e9faut d\u2019art et le d\u00e9faut de r\u00e9el souvent reproch\u00e9s aux \u0153uvres num\u00e9riques et qui en conditionnent la r\u00e9ception lorsqu\u2019on laisse parler \u00e0 travers nous ces discours critiques ; en interrogeant \u00e0 la fois le regard que l\u2019on porte sur les \u0153uvres num\u00e9riques et le regard que les \u0153uvres num\u00e9riques portent sur les probl\u00e8mes politiques contemporains, l’enjeu est de r\u00e9fl\u00e9chir aux modalit\u00e9s par lesquelles l’art num\u00e9rique s’empare des repr\u00e9sentations du r\u00e9el pour les renouveler, a fortiori lorsque les techniques num\u00e9riques nous adressent, hors du champ de l’art, des questions politiques.<\/p>\n

L\u2019art num\u00e9rique peut-il \u00eatre un instrument critique ? Comment fait-il face aux probl\u00e8mes politiques contemporains ? En retour, comment ces nouvelles formes font-elles \u00e9voluer les pratiques \u00e9tablies et la mani\u00e8re de les montrer, de les voir ? Au-del\u00e0 de la technique, comment les \u0153uvres r\u00e9pondent-elles au pr\u00e9sent ?<\/p>\n

Artistes, commissaires d\u2019exposition et critiques sont convi\u00e9\u00b7e\u00b7s pour explorer de mani\u00e8re transversale ces questions qui traversent le champ de l\u2019art et offrir une vision plus juste des pratiques num\u00e9riques actuelles, de leur exposition et de leur r\u00e9ception.[\/vc_column_text][vc_btn title=”Programme complet” link=”url:https%3A%2F%2Fwww.ensapc.fr%2Fwp-content%2Fuploads%2F2021%2F04%2FLes-repre%CC%81sentations-politiques-de-lart-nume%CC%81rique-Programme-Journe%CC%81e-de%CC%81tude-ENSAPC-15-Avril-2021-1.pdf||target:%20_blank|”][vc_btn title=”Captation de la journ\u00e9e d’\u00e9tudes” link=”url:https%3A%2F%2Fvimeo.com%2F555732067||target:%20_blank|”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]CHANGING HANDS: OBJECTS ON THE MOVE SYMPOSIUM ORGANIZED BY AKRAM ZAATARI December 8, 2021 \u2013 Cin\u00e9ma 1 \u2013 Centre Pompidou In the context of \u00ab Vid\u00e9o et apr\u00e8s \u00bb, Service Nouveaux M\u00e9dias \u2013 MNAM\/Centre Pompidou and of the doctoral program of the \u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy Graduate School Humanities, Creation and… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1797,"menu_order":239,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9143","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=9143"}],"version-history":[{"count":5,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9143\/revisions"}],"predecessor-version":[{"id":10562,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9143\/revisions\/10562"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/1797"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=9143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}