{"id":9150,"date":"2020-05-28T10:09:28","date_gmt":"2020-05-28T08:09:28","guid":{"rendered":"https:\/\/www.ensapc.fr\/2018-2\/"},"modified":"2022-10-27T16:04:13","modified_gmt":"2022-10-27T14:04:13","slug":"2018-2","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/research\/publications\/2018-2\/","title":{"rendered":"2018"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner][vc_column_text]<strong>CREATOR DOCTUS<\/strong><\/p>\n<p>Since 2018, ENSAPC has been a partner in the European Creator Doctus (CrD) program. On the initiative of the Gerrit Rietveld Academie and the European organization EQ-Arts\u2014and involving, in addition to ENSAPC, the Glasgow School of Art, the Athens School of Fine Arts, the Vilnius Academy of Arts, the Royal Danish Academy of Fine Arts, and the Merz Akademie\u2014CrD is exploring at the European level the question of \u201cthe doctorate through artistic practice.\u201d With funding from the Erasmus+ program and the European Union, the program is generating and gathering, over the period 2018\u20132021, knowledge and recommendations based on the expertise and experience of the partner institutions. Conferences (Athens, May 2019; Paris, November 2019; Amsterdam, 2021) and seminars (Stuttgart, February 2020; Nida, August 2020) are designed to share and exchange existing practices and methods, and to think through the creation of a European frame of reference for programs conferring the practice-based doctorate in art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner][vc_column_text]<b>PUBLICATION : Archives en acte. Arts plastiques, danse, performance<br \/>\n<\/b><\/p>\n<p class=\"font_titre titre color\"><em><span class=\"maj\">Parution\u00a0des actes du projet &#8220;Replay, restitution, recr\u00e9ation. Pour une typologie de la reprise des archives.&#8221;\u00a0<\/span><br \/>\nJuin 2018<\/em><\/p>\n<p>Comment r\u00e9aliser des \u0153uvres nouvelles, ou des \u0153uvres rejou\u00e9es, avec des \u0153uvres anciennes connues uniquement par des archives ? Comment le \u00ab\u00a0replay\u00a0\u00bb fait de la nouveaut\u00e9 et non de la simple r\u00e9p\u00e9tition ou reprise.<\/p>\n<p>Des archives aux formes multiples, conserv\u00e9es dans des institutions \u00e9galement multiples, gardent trace d\u2019\u0153uvres plastiques et chor\u00e9graphiques ou de performance, qu\u2019on ne conna\u00eet plus qu\u2019\u00e0 travers ces documents. Ce livre pr\u00e9sente, en une s\u00e9rie de cas concrets analys\u00e9s et illustr\u00e9s (50 illustrations), les modalit\u00e9s qu\u2019ont aujourd\u2019hui les artistes de se saisir de ces traces, apparemment mortes, pour (les interpr\u00e9ter et) en faire des cr\u00e9ations nouvelles.<\/p>\n<p><em>Ouvrage publi\u00e9 aux Presses universitaires de Vincennes, gr\u00e2ce au soutien des Archives nationales, du Labex Arts-H2H (ANR-10-LABX-80-01) et de l&#8217;\u00c9quipe d&#8217;accueil EA 4010 (Arts des images et art contemporain, AIAC, Universit\u00e9 Paris 8)<\/em><\/p>\n<h3><b>\u00a0<\/b><\/h3>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner][vc_column_text]CREATOR DOCTUS Since 2018, ENSAPC has been a partner in the European Creator Doctus (CrD) program. On the initiative of the Gerrit Rietveld Academie and the European organization EQ-Arts\u2014and involving, in addition to ENSAPC, the Glasgow School of Art, the Athens School of Fine Arts, the Vilnius Academy of Arts, the Royal Danish&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.ensapc.fr\/en\/research\/publications\/2018-2\/\" title=\"Read 2018\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1797,"menu_order":260,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9150","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=9150"}],"version-history":[{"count":3,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9150\/revisions"}],"predecessor-version":[{"id":10566,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9150\/revisions\/10566"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/1797"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=9150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}