{"id":9153,"date":"2020-05-28T10:20:53","date_gmt":"2020-05-28T08:20:53","guid":{"rendered":"https:\/\/www.ensapc.fr\/2019-2\/"},"modified":"2022-10-27T16:00:14","modified_gmt":"2022-10-27T14:00:14","slug":"2019-2","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/en\/research\/publications\/2019-2\/","title":{"rendered":"2019"},"content":{"rendered":"

[vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]CREATOR DOCTUS<\/strong><\/p>\n

Since 2018, ENSAPC has been a partner in the European Creator Doctus (CrD) program. On the initiative of the Gerrit Rietveld Academie and the European organization EQ-Arts\u2014and involving, in addition to ENSAPC, the Glasgow School of Art, the Athens School of Fine Arts, the Vilnius Academy of Arts, the Royal Danish Academy of Fine Arts, and the Merz Akademie\u2014CrD is exploring at the European level the question of \u201cthe doctorate through artistic practice.\u201d With funding from the Erasmus+ program and the European Union, the program is generating and gathering, over the period 2018\u20132021, knowledge and recommendations based on the expertise and experience of the partner institutions. Conferences (Athens, May 2019; Paris, November 2019; Amsterdam, 2021) and seminars (Stuttgart, February 2020; Nida, August 2020) are designed to share and exchange existing practices and methods, and to think through the creation of a European frame of reference for programs conferring the practice-based doctorate in art.[\/vc_column_text][vc_column_text]First Creator Doctus Conference, Athens, May 20\u201321, 2019<\/strong><\/p>\n

Organized by the Athens School of Art, the first Creator Doctus conference was designed to present models of doctoral study in various countries and to facilitate discussion between doctoral candidates and their advisers. Exchanges were anchored by presentations from two invited guests, artist-scholars Carole Gray and Olav Westphalen. As a result of the conference, an international repository of good practices in the supervision of doctoral candidates in arts was launched.[\/vc_column_text][vc_btn title=”Learn more” link=”url:https%3A%2F%2Fcreatordoctus.eu%2Fevent%2Fconference-at-athens-school-of-arts-in-greece%2F|target:_blank”][vc_column_text]Second Creator Doctus Conference, Paris, November 29\u201330, 2019<\/strong><\/p>\n

ENSAPC organized the second Creator Doctus conference on good practices in research and doctoral programs in cooperation with Cosmopolis #2, Pompidou Center.<\/p>\n

The conference explored the practice-based doctorate by examining artistic research practices from various angles, with contributions from the following artists, scholars, and thinkers: Heba Amin, Arjun Appadurai, Julieta Aranda, Yann Beauvais, Louise Herv\u00e9, Chlo\u00e9 Maillet, Chus Martinez, Mpho Matsipa, Senam Okudzeto, and Elizabeth Povinelli.[\/vc_column_text][vc_btn title=”Learn more” link=”url:https%3A%2F%2Fcreatordoctus.eu%2Fevent%2Fconference-at-centre-pompidou-paris%2F|target:_blank”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]TRILOGIE DE LA TERRE<\/strong>
\nCOLLOQUE #1<\/strong>
\nPORTRAIT DE MALEH P\u00caH (AFRIQUE)<\/strong><\/p>\n

Maison des \u00e9tudiants – CY Cergy Paris Universit\u00e9
\n22 novembre 2019<\/em><\/p>\n

Cr\u00e9\u00e9 par Agathe Simon, le projet Trilogie de la Terre propose de recr\u00e9er le portrait d\u2019une humanit\u00e9 disparue afin de mieux appr\u00e9hender le futur de notre plan\u00e8te. Dans un contexte de globalisation et de flux migratoires, son enjeu est de d\u00e9voiler les racines de la mondialisation, pr\u00e9sent\u00e9es \u00e0 travers cinq personnes vivant sur cinq continents.<\/p>\n

Le colloque interdisciplinaire du vendredi 22 novembre est la premi\u00e8re date du projet Trilogie de la Terre \u00e0 l’UCP<\/dfn>. Il est d\u00e9di\u00e9 \u00e0 Maleh P\u00eah, un chef Toura (nord-ouest de la C\u00f4te d’Ivoire) ayant v\u00e9cu au d\u00e9but du XXe si\u00e8cle. Il est propos\u00e9 par des \u00e9tudiant\u00b7e\u00b7s :
\n– du laboratoire G\u00e9osciences et Environnement Cergy (GEC<\/dfn>) de l’UCP, sous la supervision du Professeur Bertrand Maillot,
\n– de l\u2019UFR<\/dfn>\u00a0Langues et \u00c9tudes Internationales de l\u2019universit\u00e9 de Cergy-Pontoise, sous la supervision de G\u00e9rald Peloux et C\u00e9cile Doustaly,
\n– de l’\u00c9cole nationale sup\u00e9rieur d’art de Paris-Cergy (ENSAPC), sous la supervision de Corinne Le N\u00e9\u00fcn,<\/p>\n

en pr\u00e9sence de V\u00e9ronique Moulini\u00e9, du laboratoire Lahic du\u00a0CNRS<\/dfn>\u00a0et d’Agathe Simon, auteur du projet et artiste en r\u00e9sidence \u00e0 l’UCP.\u00a0Ce projet est organis\u00e9 avec Diana Burgos-Vigna, charg\u00e9e de mission culture, et le service culture de l\u2019universit\u00e9 de Cergy-Pontoise.[\/vc_column_text][vc_btn title=”En savoir plus” link=”url:https%3A%2F%2Fwww.u-cergy.fr%2Ffr%2Fvie-etudiante%2Fculture%2Fagenda-culture%2Ftrilogie-de-la-terre.html||target:%20_blank|”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]MEL BOCHNER: ON TRANSLATION<\/strong><\/p>\n

Colloque, s\u00e9minaire de recherche et performance con\u00e7us\u00a0et organis\u00e9s par S\u00e9bastien Pluot, Art by Translation (ESAD TALM et ENSAPC) et la Biblioth\u00e8que Kandinsky, en collaboration avec la Maison des Sciences de l\u2019Homme, l\u2019\u00c9cole Normale Sup\u00e9rieure de Paris-Saclay, d\u00e9partement design.<\/em><\/p>\n

Centre Pompidou<\/em>
\n6-7 d\u00e9cembre 2019<\/i><\/p>\n

Figure centrale de la sc\u00e8ne artistique contemporaine,\u00a0Mel Bochner\u00a0s\u2019est distingu\u00e9 depuis le milieu des ann\u00e9es 1960 autant par ses \u0153uvres que par ses textes critiques – \u00e0 la fois g\u00e9n\u00e9ratifs et disruptifs \u00e0 l\u2019\u00e9gard des discours entourant l\u2019art minimal, l\u2019art conceptuel, l\u2019expressionnisme abstrait et la critique institutionnelle. Depuis 1966 ses \u0153uvres d\u00e9ploient des sp\u00e9culations formelles et th\u00e9oriques sur le langage et la question de la signification qui engagent des proc\u00e9dures de traduction interlinguistiques et inters\u00e9miotiques. Historien(ne)s de l\u2019art et philosophes proposeront lors de ce colloque d\u2019ouvrir de nouvelles perspectives d\u2019analyse de son travail. Le Colloque du 6 d\u00e9cembre\u00a0est suivi d\u2019un s\u00e9minaire de recherche et de performances le samedi 7 d\u00e9cembre \u00e0 la Biblioth\u00e8que Kandinsky en pr\u00e9sence de Mel Bochner.[\/vc_column_text][vc_single_image image=”5690″ img_size=”large” alignment=”center”][vc_btn title=”En savoir plus” link=”url:https%3A%2F%2Fwww.artbytranslation.org%2Fevents%2Fsymposia%2F2019%2F201912paris||target:%20_blank|”][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row gap=”30″][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text]CREATOR DOCTUS Since 2018, ENSAPC has been a partner in the European Creator Doctus (CrD) program. On the initiative of the Gerrit Rietveld Academie and the European organization EQ-Arts\u2014and involving, in addition to ENSAPC, the Glasgow School of Art, the Athens School of Fine Arts, the Vilnius Academy of Arts, the Royal Danish… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1797,"menu_order":255,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9153","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/comments?post=9153"}],"version-history":[{"count":3,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9153\/revisions"}],"predecessor-version":[{"id":10564,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/9153\/revisions\/10564"}],"up":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/pages\/1797"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/en\/wp-json\/wp\/v2\/media?parent=9153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}