{"id":1109,"date":"2016-11-28T14:50:25","date_gmt":"2016-11-28T13:50:25","guid":{"rendered":"https:\/\/www.ensapc.fr\/fr\/?page_id=1109"},"modified":"2025-10-02T12:50:23","modified_gmt":"2025-10-02T10:50:23","slug":"gallien-dejean","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/fr\/gallien-dejean\/","title":{"rendered":"Gallien D\u00e9jean"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]Gallien D\u00e9jean est critique d\u2019art et commissaire ind\u00e9pendant. Il enseigne l\u2019histoire de l\u2019art et la th\u00e9orie \u00e0 l\u2019\u00c9cole cantonale d\u2019art de Lausanne (ECAL) en Suisse et \u00e0 l\u2019\u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy (ENSAPC) en France. Il est membre de Treize, structure de production, d\u2019exposition et d\u2019\u00e9dition. Il est l&rsquo;auteur de la premi\u00e8re r\u00e9trospective consacr\u00e9e au collectif artistique anglais BANK (<em>Self Portrait &#8211; BANK\u2019s Archives &amp; Relics &#8211; 1991-2003<\/em> \u00e0 Treize en 2012 et chez Elaine MGK, \u00e0 B\u00e2le, en 2013). De 2013 \u00e0 2015, il a \u00e9t\u00e9 commissaire d\u2019expositions au Palais de Tokyo. En 2018, il a organis\u00e9 au Plateau Frac \u00cele-de-France (Paris) l&rsquo;exposition collective <em>A Study in Scarlet<\/em> autour de l\u2019\u0153uvre de Cosey Fanni Tutti. Il a publi\u00e9 plusieurs livres en tant qu\u2019auteur et \u00e9diteur. En 2020, il a publi\u00e9 un livre d&rsquo;entretien avec Jacqueline de Jong (Manuella \u00c9ditions). En 2021, il a codirig\u00e9 la publication de l&rsquo;ouvrage <em>The BANK Fax-Bak Service<\/em> co\u00e9dit\u00e9 par Lenz Press, Treize, la Kunsthalle de Zurich et la galerie Neu.[\/vc_column_text][vc_btn title=\u00a0\u00bbContact\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bburl:mailto%3Agallien.dejean%40ensapc.fr\u00a0\u00bb][vc_btn title=\u00a0\u00bbEn savoir plus\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Fwww.archivesdelacritiquedart.org%2Fauteur%2Fdejean-gallien\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb52px\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Gallien D\u00e9jean est critique d\u2019art et commissaire ind\u00e9pendant. Il enseigne l\u2019histoire de l\u2019art et la th\u00e9orie \u00e0 l\u2019\u00c9cole cantonale d\u2019art de Lausanne (ECAL) en Suisse et \u00e0 l\u2019\u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy (ENSAPC) en France. Il est membre de Treize, structure de production, d\u2019exposition et d\u2019\u00e9dition. Il est l&rsquo;auteur de la premi\u00e8re r\u00e9trospective consacr\u00e9e&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.ensapc.fr\/fr\/gallien-dejean\/\" title=\"Read Gallien D\u00e9jean\">Lire la suite &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":271,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1109","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/comments?post=1109"}],"version-history":[{"count":5,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1109\/revisions"}],"predecessor-version":[{"id":14228,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1109\/revisions\/14228"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/media?parent=1109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}