{"id":1111,"date":"2016-11-28T14:51:32","date_gmt":"2016-11-28T13:51:32","guid":{"rendered":"https:\/\/www.ensapc.fr\/fr\/?page_id=1111"},"modified":"2017-01-05T17:40:10","modified_gmt":"2017-01-05T16:40:10","slug":"yann-beauvais","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/fr\/yann-beauvais\/","title":{"rendered":"Yann Beauvais"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]N\u00e9 en 1953, cin\u00e9aste, curateur ind\u00e9pendant, critique d\u2019art sp\u00e9cialiste de cin\u00e9ma exp\u00e9rimental et de la transdisciplinarit\u00e9 entre cin\u00e9ma et les autres arts, programmateur de nombreuses manifestation, parmi lesquels, Monter sampler l&rsquo;\u00e9chantillonage g\u00e9n\u00e9ralis\u00e9, Centre Georges Pompidou 2001, Malcolm LeGrice le Temps des Images Espace Multim\u00e9dia Gantner 2011, Kuir Bogota 2015. 1\u00b0 Forum do Movimentos das Imagens, Recife. 2016 .<br \/>\nCo fondateur de Light Cone en 1981 et de Scratch en 1982 \u00e0 Paris. Co fondateur (2011-2015) avec Edson Barrus de B3 \u00e0 Recife.<br \/>\nFilms et installations pr\u00e9sent\u00e9es dans de nombreuses manifestations , repr\u00e9sent\u00e9s dans diff\u00e9rentes collections nationales et internationales.<br \/>\nLa question du transcin\u00e9ma d\u00e9multipliant le champ cin\u00e9matographique se comprend autant par la r\u00e9alisation, la recherche et son enseignement en regard de ll&rsquo;exploration de langages formels, d&rsquo;activisme et leurs articulations et usages dans les m\u00e9dia.[\/vc_column_text][vc_btn title=\u00a0\u00bbContact\u00a0\u00bb link=\u00a0\u00bburl:mailto%3Ayann.beauvais%40ensapc.fr|||\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]N\u00e9 en 1953, cin\u00e9aste, curateur ind\u00e9pendant, critique d\u2019art sp\u00e9cialiste de cin\u00e9ma exp\u00e9rimental et de la transdisciplinarit\u00e9 entre cin\u00e9ma et les autres arts, programmateur de nombreuses manifestation, parmi lesquels, Monter sampler l&rsquo;\u00e9chantillonage g\u00e9n\u00e9ralis\u00e9, Centre Georges Pompidou 2001, Malcolm LeGrice le Temps des Images Espace Multim\u00e9dia Gantner 2011, Kuir Bogota 2015. 1\u00b0 Forum do Movimentos das Imagens,&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.ensapc.fr\/fr\/yann-beauvais\/\" title=\"Read Yann Beauvais\">Lire la suite &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":342,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1111","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":3,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1111\/revisions"}],"predecessor-version":[{"id":5416,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/1111\/revisions\/5416"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/media?parent=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}