{"id":568,"date":"2016-10-10T13:57:57","date_gmt":"2016-10-10T11:57:57","guid":{"rendered":"https:\/\/www.ensapc.fr\/fr\/?page_id=568"},"modified":"2025-10-02T11:27:28","modified_gmt":"2025-10-02T09:27:28","slug":"boris-achour","status":"publish","type":"page","link":"https:\/\/www.ensapc.fr\/fr\/boris-achour\/","title":{"rendered":"BORIS ACHOUR"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Artiste, n\u00e9 en 1966, ex-\u00e9tudiant de l\u2019ENSAPC et de l\u2019ENSBA, co-fondateur de \u00abPublic\u00bb espace d\u2019art \u00e0 Paris\u00a0(1999-2006)\u00a0et de \u00abTrouble\u00bb, revue d\u2019essais critiques (distribu\u00e9e par <a href=\"https:\/\/www.lespressesdureel.com\/\" target=\"_blank\" rel=\"noopener\">Les Presses du R\u00e9el<\/a>\u00a0et <a href=\"https:\/\/troublearchives.wordpress.com\/n2-2002\/\" target=\"_blank\" rel=\"noopener\">en partie en ligne ici<\/a>)<\/p>\n<p>M\u00ealant sans hi\u00e9rarchie des \u00e9l\u00e9ments h\u00e9t\u00e9rog\u00e8nes issus de champs culturels et formels tr\u00e8s vari\u00e9s, son travail constitue un syst\u00e8me combinatoire ouvert et en perp\u00e9tuelle \u00e9volution bas\u00e9 sur l\u2019affirmation de la forme, la jubilation de la cr\u00e9ation et la puissance de la mise en relation. Les notions de fragment, d\u2019unit\u00e9 et donc de relations, qu\u2019on les envisage \u00e0 l\u2019\u00e9chelle d\u2019une seule \u0153uvre ou \u00e0 celle de l\u2019ensemble du travail sont du point de vue formel, conceptuel et humain au c\u0153ur de sa pratique.[\/vc_column_text][vc_btn title=\u00a0\u00bbContact\u00a0\u00bb link=\u00a0\u00bburl:mailto%3Aboris.achour%40ensapc.fr|||\u00a0\u00bb][vc_btn title=\u00a0\u00bbEn savoir plus\u00a0\u00bb link=\u00a0\u00bburl:http%3A%2F%2Fborisachour.net||target:%20_blank|\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Artiste, n\u00e9 en 1966, ex-\u00e9tudiant de l\u2019ENSAPC et de l\u2019ENSBA, co-fondateur de \u00abPublic\u00bb espace d\u2019art \u00e0 Paris\u00a0(1999-2006)\u00a0et de \u00abTrouble\u00bb, revue d\u2019essais critiques (distribu\u00e9e par Les Presses du R\u00e9el\u00a0et en partie en ligne ici) M\u00ealant sans hi\u00e9rarchie des \u00e9l\u00e9ments h\u00e9t\u00e9rog\u00e8nes issus de champs culturels et formels tr\u00e8s vari\u00e9s, son travail constitue un syst\u00e8me combinatoire ouvert&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.ensapc.fr\/fr\/boris-achour\/\" title=\"Read BORIS ACHOUR\">Lire la suite &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":91,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-568","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/comments?post=568"}],"version-history":[{"count":3,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/568\/revisions"}],"predecessor-version":[{"id":14204,"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/pages\/568\/revisions\/14204"}],"wp:attachment":[{"href":"https:\/\/www.ensapc.fr\/fr\/wp-json\/wp\/v2\/media?parent=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}