CAROLE BOULBÈS

History and theory of the arts

* Author, independent researcher, interested in the Dadaist and Surrealist avant-gardes,

* organized the colloquiums “Women, performative attitudes” at the André Malraux Cultural Centre in Vandœuvre-lès-nancy (2012), “Temps danses” at the Matisse Museum in Cateau Cambrésis (2006), and the round table “Itinéraires numériques” at the Ecole Supérieure d’Art de Cambrai (2001),

* is the author of a doctoral thesis of Arts and Sciences of Art on The Aesthetic Writings of Francis Picabia, defended under the direction of Gilbert Lascault at the University of Paris I- Panthéon-Sorbonne (1993),

* edited an essay entitled “Picabia, le saint masqué” (Picabia, the masked saint) published by Jean-Michel Place (1998),

* directed the reprinting of Picabia’s poems and critical writings for Mémoire du Livre (in 2002 and 2005),

* has published “Picabia avec Nietzsche, réflexion sur l’art, l’amour et le plagiat philosophique”, at Les Presses du Réel (September 2010),

* has written numerous exhibition reviews on international modern and contemporary art and conducted interviews for the magazines Art Press, Synesthesia and Mudam,

* is the author of “Voyage à Syracuse”, a short story available online at publie.net

* carried out book reviews for the journal Critique d’art between 2007 and 2012,

* also wrote articles for exhibition catalogues and monographs by Nina Childress, Claude Closky, Nathalie Elemento, Anthony Freestone, Jan Kopp, Monique Frydman, Frédérique Lucien, Orlan, François Morellet…